LOT DETAILS

Materials:

both tempera on panel, gold ground, with arched tops

Size Notes:

Saint Catherine; Saint Sigismund: 98 x 35 cm

Description:

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Markings:

inscribed on either side of the figures' heads: CATA / RINA and SIGIS / MONDO respectively

Exhibited:

Paris, Musée des Beaux Arts de Touis, Autour de Lorenzo Ven éziano: fragments de polyptyques vénetiens du XIV siecle, 23 October 2005 - 23 January 2006, nos. 9A and 9B.

Literature:

A. De Marchi, "Una tavola nella Narodna Galeria di Ljubljana e una proposta per Marco di Paolo Veneziano", in Gotika v Sloviniji, Ljubljana 1995, p. 241, note no. 5;. A. De Marchi, in Italies, Peintures des musées de la région centre, exhibition catalogue, Paris 1996, pp. 66 - 67, under cat. no. 11, note 3;. S. Chiodo in C. Beddington (ed.), Galerie Adriano Ribolzi, Monte Carlo, Peintures italianes du XIVe au XVIII siècle, Monte Carlo 1998, p. 66;. A. De Marchi in Restauri e ricerche. Opere d'arte nelle province di Siracusa e Ragusa, exhibition catalogue, Siracusa 1999, pp. 18 - 23;. A. De Marchi, La Passione secondo Serafino, Piacenza 1999, p. 4;. M. Medica, "Un secolo d'arte a San Giacomo Maggiore", in I corali di San Giacomo Maggiore, Miniatori e committenti a Bologna nel Trecento, exhibition catalogue, Ferrara 2003, 49;. A. De Marchi, "Polyptyques vénetiens. Anamnèse d'une identité méconnue", in Autour de Lorenzo Veneziano, Fragments de Polyptyques vénitiens du XIVe siècle, exhibition catalogue, Cinisello Balsamo 2005, p. 28 - 29;. C. Guarnieri, "Le polyptyque pour l'église de San Giacomo a Bologne dans l'oeuvre de Lorenzo Veneziano", in Autour de Lorenzo Veneziano, Fragments de Polyptyques vénitiens du XIVe siècle, exhibition catalogue, Cinisello Balsamo 2005, pp. 112 - 113, cat. nos. 9a-b;. E. Rivaud, "Contribution des examens radiographiques à la reconstitution de retables vénitiens du XVIe siècle", in Autour de Lorenzo Veneziano, Fragments de Polyptyques vénitiens du XIVe siècle, exhibition catalogue, Cinisello Balsamo 2005, pp. 49 - 50;. C. Guarnieri, Lorenzo Veneziano, Milan 2006, pp. 201 - 202 reproduced p. 151, fig. XL and p. 202.

Provenance:

Anonymous sale, New York, Sotheby's, 4 April 1973, lot 162 (as Venetian School 1340 - 1350);. Longari collection, Milan;. Anonymous sale, London, Sotheby's 3 July 1996, lot 185 (as attributed to Lorenzo Veneziano);. Where acquired by Banca della Svizzera Italiana, Lugano.